Meet the Collective
From a young age, Jarlath has been deeply passionate about art, dedicating his life to honing his skills in various mediums. His journey as a tattoo artist spans ten years, during which he has garnered numerous awards for his exceptional tattoo art. His work is known for pushing the boundaries of perception, often incorporating geometry and psychedelic visuals to provoke thought and inspire awe.
In addition to tattooing, Jarlath enjoys exploring other artistic avenues such as painting, airbrushing, and pyrography (wood burning). His philosophy, "Creativity is life," reflects his belief that people are at their happiest and most evolved when they are creating. This guiding principle is evident in all his artistic endeavors, where he aims to evoke deep emotions and reflections in those who experience his work.
Outside of his professional life, Jarlath cherishes time spent with his wife Maeve and their two children, Aria and Willow. His hobbies include creating art and immersing himself in nature, where he finds endless inspiration for his work.
For more about Jarlath's work or to inquire about collaborations, please visit West End Art Collective or contact him directly at weacjatonaccitattoos@gmail.com or 0830108157
Conor consulted with Dr Dave Plans and Dr Toby Wise about the nature of BP-I and the impact of manic episodes on the brain. The piece consists of a cassette player running (and thereby destroying) a tape loop over sandpaper. The tape is playing vocal samples recorded by Conor which describe his symptoms.
The motor speed of the cassette player is controlled by a bipolar low-frequency oscillator (LFO), a repeating electronic signal that oscillates from a positive to negative voltage range, much like the manic/depressive cycle seen in BP-I.
As an artist, I see art as a powerful language that bridges the gap between the mind and soul. I love illustration because it allows me to tell stories of belonging and shared memories, exploring our relationship with the environment and the soul of its people.
One of my favourite techniques is cyanotype, a photosensitive iron-salt based process that creates beautiful cyan-blue impressions of objects and negatives. I often use multiple exposures, layering photographs, illustrations, and natural elements like seaweed and leaves. Each artwork is unique, telling its own story through the random interplay of nature, water, sunlight, and time.
Joe Westcott drew on these two aspects of Russell’s research to inform and inspire his Mindscapes artworks about Seasonal Affective Disorder (SAD). SAD is a type of depression that follows a seasonal pattern, more often occurring during the Winter months when exposure to light is reduced.
Joe expresses the adverse effects of ‘Time Blindness’ through his ceramic sculpture of a slouched rabbit – blindfolded and thus prevented from accessing light. Two further rabbit sculptures capture the dejection felt from social dismissal and withdrawal associated with depression. Through colour and configuration, Joe’s works tell us how a lack of light and sleep can make us feel.
Her artworks explore every time different concept and themes. She describe her most recent work “The Lost Folklore: “In every painting there is a hidden message, a symbol, a call to different cultures. The culture is the leading thread into a crossroads of their hidden and forgotten traditions, which invite the viewer to re-find them or simply enjoy”. (Elena Dova – 2024)
Elena is currently part of the West End Art-Collective where she shares her art and helps with the organisation of other events.